rea schenk

In “who let the dogs out,” Rea Schenk deconstructs the boundaries of photography through a precise layering of digital and analog processes. Using CAD tools as a digital paintbrush, photographic fragments are transformed into a multi-dimensional visual architecture. The tension between graphic lines, raw texture, and high-contrast forms challenges traditional perception of space and subject. It is a compelling exploration of mimesis, urban energy, and the reconstruction of visual reality.